Noah Schneiderman
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Noah Schneiderman (b. 1996, Stewardson, Illinois)
is a multi-disciplinary artist with a primary focus on
painting. In his most recent work, Noah uses dyes made from materials found in nature, including mud, barks, roots, flowers, and insects. Different swatches of dyed canvas are then sewn together to create a new image. The incidental mark-making that emerges through the dyeing process is the basis for his intuited forms and discovered imagery. These discoveries help to cultivate an understanding of self and an understanding of the world.
Informed by nature, memory, and the mystical, Noah's work is an attempt to lift that which lies just beneath the surface of everyday life.
Artworks

Embracing the Zen concept of beginner’s mind—an approach that values openness, curiosity, and freedom from preconception, Noah starts each work without a plan, opting for a call and response approach that allows intuition to guide the process and for each painting to evolve organically. His process starts by using natural dyes derived from roots, bark, and flowers to dye scraps of canvas. These pieces of canvas are then sewn together to make a total composition creating a dynamic ground for the painting to be made. Painting becomes a way of thinking as it's applied, scraped, poured, wiped, sanded, and layered in an effort to lift an image out of the dyed surface and arrive at something new and unexpected. These methods reflect Noah’s investigation and interest in philosophy, mysticism, and the nature of human consciousness and experience.
CV
Solo and Two-Person Exhibitions
2025 The Big Empty, Europa, New York, NY (forthcoming)
2023 The Cosmic Game, Solito, Naples, Italy
2023 Old Fire, New Spring, Gene Gallery, Shanghai, China
2022 Saunter, The Valley, Taos, NM
Group Exhibitions
2024 World Without End, The Valley, Taos, NM
2024 Prophetic Dreams, Kutlesa Gallery, Goldau, Switzerland
2024 The Second Body, Soho Revue, London, United Kingdom
2024 Unseen Orchestra, Make Room, Los Angeles, CA
2024 Arcadia and Elsewhere, James Cohan, New York, NY
Past (selection) 2023 Forest Spirit, The Valley, Sangre De Cristo Mountains, NM 2023 Ghost Body, Bell Projects, Denver, CO 2023 At the Edge of Everything, Cabin Berlin, Berlin, Germany 2023 Way Out World, Rule Gallery, Denver, CO 2022 You Had Me At Hello: New American Paintings Review, Steven Zevitas Gallery, Boston, MA 2022 Leave A Light On, The Valley, Taos, NM 2021 Deeper, Friend of a Friend Gallery, Denver, CO 2019 Poems For Our Country, Union Hall, Denver, CO Online Exhibitions 2024 Foundations Winter 2024, The Valley, Artsy.net 2022 Nobody’s Home, Andrea Festa Fine Art, Artsy.net

Artist Interview

If you stand in front of a mirror, what would you like to see through it?
A better version of myself than I was yesterday.
What is your studio environment like?
I like to have my studio environment set up as a modular space that can transform to fit whatever needs to be worked on that day. I have different configurations of my studio depending on if I’m dyeing canvas, sewing canvas, stretching and priming, or painting and drawing. On a whole I would describe it as organized chaos. Theres open paint tubes and crusty brushes lying around everywhere but I have my own personal logic for how things are in my space and I try to embrace that.
Could you discuss the stories behind the creation of this body of work?
This group of paintings reflect on selfhood and the journey towards truth through introspection and using myth-making as a tool for self-discovery. This inward looking speaks to the importance of knowing oneself in order to feel personal liberation and arrive at an imaginal space ripe with potential. Theres a reverence for nature in these paintings in both their use of materials as well as subject matter that I hope can help reveal ourselves not as entities traversing and domineering the landscape, but as a part of a a greater whole. We aren’t in nature, we are nature.
